Friday, February 1, 2008

Johnson Wax Headquarters

Johnson Wax Headquarters (1936-1939), the world headquarters and administration building of S.C. Johnson & Son, Inc. in Racine, Wisconsin was designed by American architect, Frank Lloyd Wright, for the company's president, Herbert F. "Hib" Johnson. An example of streamlined design, the Johnson Wax Administration Building, as it is also known, has over 200 types of curved red bricks making up the exterior and interior of the building, and Pyrex glass tubing from the ceiling and clerestories to let in soft light. The colors that Frank Lloyd Wright chose for the Johnson Wax building are cream (for the columns and mortar) and "Cherokee Red" for the floors, bricks, and furniture. The furniture, also designed by the architect, and manufactured by Steelcase, Inc., echoes the curving lines of the building.



One approaches the building by walking underneath the 14-story tall Johnson Wax Research Tower (1944-1951) and through a low parking lot, which is supported by steel-reinforced "dendriform" (tree-shaped) concrete columns.



The parking lot ceiling creates a compression of space, and the dendriform columns are echoed inside the building, where they rise over two stories tall, supporting the structure's roof.


This rise in height when one enters the administration building creates a release of spatial compression. Compression and release of space were concepts that Wright used in many of his designs, including the playroom in his Oak Park Home and Studio, the Unity Temple in Oak Park, Illinois, the Solomon R. Guggenheim Museum in New York City, and many others.



The largest expanse of space in the Johnson Wax building is the Great Workroom, as Wright called it. This open area has no internal walls and was intended for secretaries of the Johnson Wax company, while a mezzanine holds the administrators.




Detail section of dendriform column and Frank Lloyd Wright with column test.


The construction of the Johnson Wax building did create controversies for the architect. In the Great Workroom, the dendriform columns are 9 inches (23 cm) in diameter at the bottom and 18 feet (550 cm) in diameter at the top, on a wide, round platform that Wright termed, the "lily pad."



This difference in diameter between the bottom and top of the column was not according to building codes at the time. Building inspectors required that a test column be built and loaded with twelve tons of material. The test column, once it was built, was loaded with sixty tons of materials before the "calyx", or part of the column that meets the lily pad, cracked (crashing the 60 tons of materials to the ground, and bursting a water main 30 feet underground). Wright was given his building permit after this demonstration.



Additionally, it was very difficult to properly seal the glass tubing of the clerestories and roof, thus causing leaks. This problem was not solved until rubber gaskets were placed between the tubes, and corrugated plastic was used in the roof to seal it, while mimicking the glass tubes.



And finally, Wright's chair design for Johnson Wax originally only had three legs, supposedly to encourage better posture (because one would have to keep both feet on the ground at all times to sit in it). However, the chair design proved too unstable, tipping very easily. Herbert Johnson, needing a new chair design, purportedly asked Wright to sit in one of the three-legged chairs and, after Wright fell from the chair, the architect designed new chairs for Johnson Wax with four legs; these chairs, and the other office furniture designed by Wright, are still used.



Despite these problems, Johnson was pleased with the building design, and later commissioned the Research Tower, and a house from Wright known as Wingspread. The Research Tower is no longer in use because of the change in fire safety codes.



The Johnson Wax buildings are on the National Register of Historic Places, and the Administration Building and the Research Tower were each chosen by the American Institute of Architects as two of seventeen buildings by the architect to be retained as examples of his contribution to American culture. In addition, the Administration Building and Research Tower were both designated National Historic Landmarks in 1976.

Location

Location:Racine, Wisconsin
Coordinates:42°42′48.64″N, 87°47′26.55″W
Built/Founded:1936
Architect:Wright,Frank Lloyd; Peters,Wesley W.
Architectural style(s):Late 19th and Early 20th Century American Movements, Other
Designated as NHL:January 7, 1976
Added to NRHP:December 27, 1974
NRHP Reference#:74002275 [1]
Governing body:Private

Key Plan of Racine
Location Plan
Site Plan

Johnson Wax Family


Type:Private
Founded:1886
Headquarters:Racine, Wisconsin
Key people:Dr. Herbert Fisk Johnson III, Chairman & CEO
Industry:Consumer Products
Products:Shout, Windex, Mr. Muscle, Ziploc, Edge, Glade, Brise, Vanish, Raid, OFF!, Kabbikiller,Pledge, Scrubbing Bubbles
Revenue:~$7.5 billion
Employees:12,000
Slogan:"A Family Company."


S. C. Johnson (S. C. Johnson & Son, Inc.), previously known as S. C. Johnson Wax, is a global manufacturer of household cleaning supplies and other consumer chemicals based in Racine, Wisconsin. It has operations in nearly 70 countries and its brands are sold in over 110. It is the largest component of the Johnson Family Enterprises, which also includes the Johnson Financial Group, JohnsonDiversey, Inc. (formerly Johnson Wax Professional and the acquisition of DiverseyLever, comprising primarily the former Dubois Chemical), and Johnson Outdoors. In 2006 S. C. Johnson & Son employed approximately 12,000 and had estimated sales of $7.5 billion.



















Unusual for a corporation of its size, S. C. Johnson is family-owned. The company began when Samuel Curtis Johnson, Sr. purchased the parquet flooring business of Racine Hardware Company in 1886 and renamed it Johnson's Prepared Paste Wax Company. Management has since passed down through five generations of the Johnson family; the longevity of this dynasty is itself unusual.

In 1939 the first part of the Johnson Wax Building, designed by Frank Lloyd Wright, opened. The tower opened in 1950.

The current Chairman and CEO, Dr. Herbert Fisk Johnson III, is the fifth generation of the Johnson family to lead the company. He succeeds his father, Samuel Curtis Johnson, Jr., who died in May, 2004.

Architects Biography














Name: Frank Lloyd Wright
Nationality:American
Criteria:Modern prototype, Entrepreneur
Birth date:June 8, 1867
Birth place:Richland Center, Wisconsin
Date of death:April 9, 1959 (aged 91)
Place of death:Phoenix, Arizona

Wright practiced what is known as organic architecture, an architecture that evolves naturally out of the context, most importantly for him the relationship between the site and the building and the needs of the client. Houses in wooded regions, for instance, made heavy use of wood, desert houses had rambling floor plans and heavy use of stone, and houses in rocky areas such as Los Angeles were built mainly of cinder block.



Wright's creations took his concern with organic architecture down to the smallest details. From his largest commercial commissions to the relatively modest Usonian houses, Wright conceived virtually every detail of both the external design and the internal fixtures, including furniture, carpets, windows, doors, tables and chairs, light fittings and decorative elements. He was one of the first architects to design and supply custom-made, purpose-built furniture and fittings that functioned as integrated parts of the whole design, and he often returned to earlier commissions to redesign internal fittings. His Prairie houses use themed, coordinated design elements (often based on plant forms) that are repeated in windows, carpets and other fittings. He made innovative use of new building materials such as precast concrete blocks, glass bricks and zinc cames (instead of the traditional lead) for his leadlight windows, and he famously used Pyrex glass tubing as a major element in the Johnson Wax Headquarters.


Wright was also one of the first architects to design and install custom-made electric light fittings, including some of the very first electric floor lamps, and his very early use of the then-novel spherical glass lampshade (a design previously not possible due to the physical restrictions of gas lighting).